The practice of perspective: or, An easy method of representing natural objects according to the rules of art : with rules for the proportions, positions, &c. figures, both in draught and relievo. Also the manner of conducting the shadows by divers luminaries; and practical methods of designing truly, without understanding any rules at all. A work highly necessary for painters ... and others concerned in designing. The whole illustrated with one hundred and fifty copper-plates /

相似書籍

• Perspective practical, or, A plain and easie method of true and lively representing all things to the eye at a distance, by the exact rules of art ... : likewise rules for placing all sorts of figures, with their several postures, scituation and horizon; also, a treatise of shadows natural by the sun, torch, candle, and lamp, very useful and necessary for all painters ... and all others that work by design /
  由: Dubreuil, Jean, 1602-1670
  創建: (1672)
• The practice of perspective, or, An easy method of representing natural objects according to the rules of art : applied and exemplified in all the variety of cases, as landskips, gardens, buildings of divers kinds, their appendages, parts, furniture, &c ... : the whole illustrated with one hundred and fifty copper-plates /
  由: Dubreuil, Jean, 1602-1670
  創建: (1749)
• Practical perspective : or, An easy method of representing natural objects, according to the rules of art ... /
  由: Dubreuil, Jean, 1602-1670
  創建: (1783)
• Perspective practical : or, A plain and easie method of true and lively representing all things to the eye at a distance, by the exact rules of art /
  由: Dubreuil, Jean, 1602-1670
  創建: (1672)
• Rules and examples of perspective proper for painters and architects, etc. in English and Latin : containing a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /
  由: Pozzo, Andrea, 1642-1709
  創建: (1707)